Tag Archives: Man Ray

August 22

Cartier-Bresson’s Street Photography: The Perfect Take

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On the 22nd of August 1908, painter and pioneering photojournalist Henri Cartier-Bresson was born in Chanteloup-en-Brie, France. By self-admission, his first true love of photography was inspired by a 1930 photograph of Hungarian photojournalist Martin Munkacsi showing three naked young African boys, caught in near-silhouette, running into the surf of Lake Tanganyika. The picture captured the very essence […]

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July 27

Australian Icons: Max Dupain’s ‘Sunbaker’

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On the 27th of July 1992, Australia’s most celebrated twentieth-century photographer Max Dupain died in Sydney, Australia. From 1924 – the year a Box Brownie camera was given to him by his uncle – right up to his very last days, he had taken hundreds of thousands of pictures capturing the daily life of Sydney. […]

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July 17

New York Through the Lens of Berenice Abbott

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On the 17th of July 1898, American photographer Berenice Abbott was born in Springfield, Ohio. In 1918, she came to New York to study journalism. But her interest soon turned to sculpture. Disappointed with the commercial approach prevalent in American at the time, she decided to go to Europe. “I was scared of New York,” […]

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March 03

Beatrice Wood: The real Rose of the Titanic

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On the 3rd of March 1893, the American artist and studio potter, Beatrice Wood, was born in San Francisco, California. Her eventful and 105-years-long life would later serve as an inspiration for the character of ‘Rose’ in James Cameron’s 1997 film, Titanic. Rebellious, uncompromising and ever so romantic, she lived her life to the fullest, avidly pursuing […]

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October 02

Duchamp and the Dadaist Gender Offensive

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On the 2nd of October 1968, artist Marcel Duchamp died in Neuilly-sur-Seine, France. His Rouen grave was engraved with the humorously defiant epitaph “Besides, it’s always the others who die!”. In death, as in life, he remained a master of sarcasm and controversy. A puzzling development in his career occurred in 1920, when Duchamp started adopting a […]

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